The rift between David Gilmour and Roger Waters has robbed Pink Floyd fans of decades of new music the guitarist and bassist could have created that would have extended their unprecedented run.
The solo work each of the men produced after 1983’s The Final Cut had their moments, but neither Waters’ lone efforts nor Gilmour’s rejiggered Floyd or his solo albums lived up to the catalogue that included The Wall, Dark Side of the Moon, Animals, or Wish You Were Here.
And that should be ok.
A dozen records, many of them classics (none of which any AI or record company could have manufactured) is more than enough to establish a wildly successful musical legacy.
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